A very important milestone recently occurred in the history
of rock ‘n’ roll: the 25th anniversary of the debut album “Vivid” (1988) by
Living Colour, the first all-African-American crossover heavy metal act. To
mark the occasion, the original lineup of the group toured extensively playing
the whole album cover to cover—The Catalyst in Santa Cruz had the honor of
hosting one of the Bay Area gigs by this legendary ensemble. And I had the
unique privilege of having been there before Living Colour broke out and also
there to celebrate their legacy. They were amazing in 1989, playing at a very
intimate place called Bogart’s nightclub in Long Beach, Calif., which sadly is
no more.
The group was as Greek gods descended from Mount Olympus,
sculpted out of pure obsidian. Corey Glover, the lead singer, fresh off
co-starring in director Oliver Stone’s Vietnam War film epic “Platoon,” looked a
black Adonis in his Body Glove getup strutting and jumping around the stage,
all the while giving the anthem “Cult of Personality” its just due from the
bottom of his leather-lined lungs. Dictators such as Stalin and Mussolini never
stood a chance. I was in awe, sitting in the front row. Just to think, a few
months later Living Colour would be opening for the Rolling Stones on their
Steel Wheels tour at the 93,000-seat Los Angeles Memorial Coliseum. Some say
that Mick Jagger was paying it forward by discovering, producing the demo for
and promoting Living Colour for all the blues artists the Stones had been ripping
off since the 60s. I think Mick just knew the real deal when he heard it.
To this day, lead guitarist Vernon Reid has got to be among
the most undersung axeman in the business. With the monster riffs he picks off
on “Cult of Personality” and “Middle Man,” for which the video was the first
clip to be featured on both MTV’s alternative music show “120 Minutes” and its
heavy metal program “Headbangers Ball,” Reid can arguably be ranked right up there
with Deep Purple’s Ritchie Blackmore on “Smoke on the Water” for most
immediately recognizable song intro.
The rest of the CD still sounds crisp and au courant with the mind-blowing meat
grinder “Desperate People” still capable of singeing your eardrums with the
whammy bar squeals, soprano high notes and unfortunately relevant-to-today
anti-drug message.
Not to be outdone, the rhythm section of Living
Colour—bassist Muzz Skillings and drummer William Calhoun—is excellent, keeping
the beat steady and—pardon the pun—rock solid yet still funky when the need
arises. Overall, Living Colour laid the foundation for many multicultural
rockers that followed to build on, but upon which they could never construct an
equally structurally sound second story. Maybe that lawsuit against the Wayans
for the sketch comedy show “In Living Color” was too much of a distraction.
-Derek Handova
Appreciative Listener
Appreciative Listener
what does the lawsuit w/ the tv show have to w/ a "distraction"
ReplyDeletethe corporate white radio heads still continue to look OVER living colour, bad brains, fishbone... but hey, they continue to love this fiddle, hootenany non-changing avert brothers/mumford n sons, white crap music....
Very true, Hollywood corporate music heads have overlooked many African American heavy metal and hard rock acts for less talented Caucasian groups in some cases. It was only a suggestion as to why Living Colour never reached critical mass. Heaven knows they always deserved it.
DeleteLC had a career before the tv show, succeeded w/ no affiliation w/ the show and you seem to "blame" the show as one of the reasons they weren't successful? again. The onslaught of grunge was really what killed their commercial appeal, that and their 1995 "breakup"...
ReplyDeleteWell you are definitely entitled to your opinion and I to mine.
Delete